Italian painter and draughtsman. He was the artistic heir of Jacopo
Pontormo, with whom he trained from 1549 to 1556. While maintaining an allegiance to the ideals of Andrea del Sarto and
Pontormo, he also worked in the vocabularies of
Bronzino and
Vasari. From these sources he forged an individual style of drawing indebted to del Sarto in its loose handling of chalk and reminiscent of Pontormo in its schematic figures defined by firm contours and modelled with loose hatching or spots of wash. There are an analogous stylization and an expressive freedom in his treatment of serpentine figures, which are sculptural in form but painterly in detail, arranged in compact compositions with concentrated lights revealing passages of warm yellows, reds and greens. Particularly characteristic is the Christ Carrying the Cross (1566; Florence, S Maria Assunta), which is distinguished in its colouring and expressive figures from the chill linearity and metallic forms of Bronzino, Vasari and Alessandro Allori.
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